Described as the antithesis of fashion which first came into prominence in the 90s, Sarah Tariverdian's label Bandits by Sarah Tari reveals a sculptural yet darker side of jewellery of wearable metal spikes and nails, with its aesthetics deliberately tarnished and asymmetrical in the belief that individuals can find themselves in irregular and asymmetric forms, as the world itself is imperfect.
Fascinated by the process of transience, her work depicts unspoken words that nothing lasts forever, our interest in materialism is short-lived and happiness from this is momentarily brief, yet we continue to fill that void in an addictive, material-driven cycle.
Fascinated by the process of transience, her work depicts unspoken words that nothing lasts forever, our interest in materialism is short-lived and happiness from this is momentarily brief, yet we continue to fill that void in an addictive, material-driven cycle.
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